Tag Archives: EMI

WHERE ARE HORSE RACING’S DEFIANT ONES?

Posted on July 14, 2017 by RacingB*tch

By Hans Ebert @hanseberthk Whether we want to or not, social media has not only entered our lives, in some instances, it’s taken them over with seemingly no end in sight. We’re becoming, or have already become slaves to technology … Continue reading →

Posted in HAPPY WEDNESDAY, Hong Kong Jockey Club, Horse Racing, Music Industry | Tagged , , , , , , , , , , , , , | Leave a comment

THE CHAMPAGNE BAR, THOSE CHAMPAGNE YEARS AND THE HONG KONG INTERNATIONAL RACES…

Posted on November 9, 2016 by RacingB*tch

By Hans Ebert “I’m Avis and aaahhhm from Las Viiiiigas!” shrieked the singer before launching into something from Gladys Knight. It was your typical hotel lounge shtick, but when outnumbered by visiting mature L’il Abners who buy into average singers … Continue reading →

Posted in Horse Racing, The horse racing industry, Tony Cruz | Tagged , , , , , , , , , , , , , , , , | Leave a comment

THE HONG KONG JOCKEY CLUB CREATES A NEW TYPE OF RECORD

Posted on October 14, 2016 by RacingB*tch

In an age where the success of anything is based largely on Views and Likes, reach, awareness, and the immediacy of the message through social media plus how creatively one uses every online delivery platform available to maximum effect, the … Continue reading →

Posted in HAPPY WEDNESDAY, Hong Kong Jockey Club, Hong Kong Racing, HORSE RACING AND SOCIAL MEDIA | Tagged , , , , , , , , , , | Leave a comment

THE “HELLO? SO WHAT’S NEW?” ISSUE

Posted on September 1, 2011 by RacingB*tch

Sure, we have an enormous crush on her and might even ask her to be our Facebook friend, but Perth Racing’s Kristi Ulrich resigning and being replaced by Jamie Chadwick reveals a problem prevalent in so many racing clubs. We … Continue reading →

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THE “YES WE CAN? DOOMSDAY” ISSUE

Posted on August 7, 2011 by RacingB*tch

We were reading an interesting blog the other day which asked the question, “Has Technology Over-taken The Music” and how everyone and their dog are creating new distribution channels, new apps etc, but how the actual producing of music has … Continue reading →

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